Wide Angle lenses for Nikon D Wide Angle lenses without zoom prime for Nikon D Wide Angle lenses with zoom for Nikon D Wide Angle lenses with Fisheye-character for Nikon D Normal lenses for Nikon D Normal lenses without zoom prime for Nikon D Normal lenses with zoom for Nikon D The aperture of the lens is 1. Both of these features are not adjustable. The rigid focal length is not a drawback because 35mm of the focal length covers an area fully with enough clarity and precision.
The lens comes with a front Snap-on cap and Ariel cap as well. It also comes with a bayonet Hood. The lens adequately covers an area at which it is focused. In addition to all this, the lens comes with a warranty of 5 years, and it has got UV filters too.
The package also includes a Mac software support and service plan. All these features add to the better functioning of the lenses. The Tamron AF mm includes an integrated engine that aids with an extremely quiet auto-focus.
The lens works nicely if you possess any fast-moving shots to capture, such as sports and racing. The lens Additionally supports manual focus, which is useful if you wish to fine-tune or create some alterations to the picture once on a whim. Shifting from autofocus to manual focus is simple, and it may be achieved without shuffling any buttons.
If you desire to acquire the best zoom, the lens supplies it in the range of mm and mm. This variety can be marked on the lens for a golden stripe and assists photographers with rapid placement. This works best when space is about a few feet.
The compact Tele-zoom lens boasts of premium quality and is simple to manage also. The lens is lightweight, and also its mechanical operations can be nicely managed even by a newcomer. The lens is well suited to outdoor photography, and photographers could create the best use of mm range and capture some magnificent images using the focal lengths in the range of 70mm to mm. Users can Also catch an image with the macro result by merely switching to the macro.
The composition can be corrected using zoom. This is a wide-angle lens with zoom, so it is ideal for landscape photography. Travelers love these lenses because these lenses are skillful and capable of capturing the best landscape shots.
These lenses can give you perfect horizon shots. The cleaning bundle that accompanies the lenses keeps them clean from dust and slight moisture. The focal length ranges from 11mm up to 16mm. The Starter kit helps your overall work with assisting tools. This provides you two or three things that help improve your expertise during photography sessions, especially when you are learning.
This Nikon D wide-angle lens contains a cleaning bundle. The cleaning kit can help you maintain your camera kit free of dust and fingerprints. You will love the experience with the wide-angled zooming lens. The lens weighs about 3. It is more suited for professional and seasonal photographers whose sole aim is to catch picture-perfect pictures. The depth of field is shallow, and this also allows the users to isolate some undesirable subjects in the background.
This also can help capture pictures that have fantastic bokeh. The lens also includes the silent wave motor, which supplies close to quiet autofocus functionality. It has a strong and has a plastic outside. It weighs approximately g and is only 31 grams heavier compared to its predecessor. It was released back in June , its present status remains powerful online, and this also proves that lots of photographers still like to use this one for both daytime and regular photography.
When searching For Nikon D telephoto lens alternatives, this can be one to look at. Including landscape photographs and even wildlife. You can use these lenses for in fact any kind of photography that you are interested in. The lenses are multi-purpose or almost all-rounder the lenses that suit multiple choices and areas of your requirement. The beginners can enjoy the accessory kit that comes along with the lens.
Both the focal length and the aperture are adjustable. The ultrafast Auto Silent Motor removes any noise from the image shot. If you plan to shoot landscapes or wildlife, or any other imagery, you can opt for the lens. You also have autofocus and VR image stabilization. These are tele zoom lenses weighing 3. The camera includes an ultra-fast and near-silent autofocus engine. The newly designed Standard ISO sensitivities range from to 3, equivalents, with the ability to extend this range as high as ISO 12, if needed.
Marking another first for a Nikon digital SLR, the D can capture progressive scan 1, x 1, pixel movies -- commonly known as p or Full HD -- at a rate of 24 frames per second. The Nikon D also offers basic in-camera movie editing capabilities. The Nikon D's burst rate is unchanged, at three frames per second. The D's friendly Guide mode was also retained, but with some tweaks to make it more approachable.
While the Nikon D isn't a direct replacement for the D, with the latter slated to continue in Nikon's lineup for the time being, the new digital SLR retains a similar form factor and much of the feature set of its predecessor, along with significant upgrades in a number of areas. Look and feel. The Nikon D's body is all-new, but its dimensions and weight are similar to that of the D 4. Since most controls have similar placement, the new body will offer a shallow learning curve for D and Nikon D40 owners.
Several new controls have been added, both for new features, and quicker access to existing ones. The Nikon D's grip is deeper, compared to that of the D, and the thumb grip on the rear of the camera has simultaneously been updated with a small rubber panel. These changes make the D's body more comfortable to hold -- especially for photographers with larger hands -- and provide a steadier, more reassuring grip.
Like most recent Nikon digital SLRs, the D's cut is considerate of the left hand, with a slight rounding of the edge, seen in the lower right of the picture above. This makes it just a little more comfortable to rest the Nikon D in your left palm as your fingers reach out to adjust the zoom and focus rings. Looking at its front panel, a new three-hole microphone grille can be seen just above the D logo, for use with the camera's new Full HD movie mode.
Absent, though, is the infrared remote receiver in the handgrip. Unlike the D, the D only makes provision for cabled remotes, and cannot function with an infrared remote. The Nikon D's Mode dial features the same thirteen operating modes as the D Beneath it, jutting out from the right, lies a new Drive Mode switch, which allows the D to be quickly switched between Single, Continuous, Self-Timer, and Quiet modes without needing to resort to the camera's menu system.
It's an upgrade from the non-image-stabilized kit lens bundled with earlier models, but there's an element of compromise in this change, because the VR kit lens lacks the Extra-low Dispersion glass found on the non-VR equivalent, which is a shame. The remainder of the Nikon D's new controls are found on its rear panel. It's a momentary switch that rotates to the right to enter and exit Live View mode.
When activated, the Nikon D raises its mirror and opens the mechanical shutter to expose its image sensor, then clocks off a continuous data stream to provide a Live View on the rear-panel LCD.
Whenever the Live View mode is active, the button at the center of the Live View switch acts as a dedicated Movie Record button: press to start recording, press again to stop. The Info Edit button marked with an i is also a new addition to the entry-level line, as it previously shared a button with the Zoom-in button.
The apparent reason for the change is that the Zoom button, in addition to offering zoom in Playback mode, now provides the ability to access a magnified view when using the new Live View mode, so the Info Edit button needed its own control.
The Nikon D retains the same 3. This equates roughly to a x pixel array, with each pixel constituting three separate red, green, and blue dots. One further change on the Nikon D's rear is the addition of a nine-hole speaker grille at the lower right corner, for use with the new movie mode.
To accommodate the speaker, Nikon has moved the card access lamp somewhat closer to the LCD display. Finally a diopter adjustment dial juts out from the upper right of the optical viewfinder's rubber eyecup, just as it does on the D90 and DS, but not on the D or D Diopter adjustment range remains the same as the D's, at The remaining external differences of note between the Nikon D and its predecessor are to be found on its left side.
The small compartment door that housed the D's USB and standard definition video outputs has grown to encompass almost half the left side of the body, and now houses two additional connectors alongside those from the D The same port is used for an optional MC-DC2 remote cord. Sensor and processor. While burst speed is unchanged from the D, the combination of a new image sensor and image processor has brought an increase in sensitivity for the D, which offers ISO sensitivities from to 3, equivalents in 1 EV steps, with the ability to increase this to ISO 6, equivalent using the Hi-1 setting, or ISO 12, equivalent with the Hi-2 position.
The Nikon D can shoot image bursts at three frames per second. The theoretical limit is two terabytes, although physical constraints will keep actual SDXC capacities well below this level for the foreseeable future.
Lens mount. Like the D before it, the Nikon D sports an AF-S lens mount, which lacks autofocus support for the older AF lenses whose focus mechanisms were driven from the camera.
These lenses have what looks like a little screwdriver slot on their mounting flange that couples with a protruding, screwdriver-looking shaft on the camera body. A motor in the camera body is thus required to drive the lens mechanics to adjust focus. More recent Nikkor lenses have motors built into the lens body, which tend to be both faster and quieter than the old-style drive system, as well as allowing the camera body to be lighter, smaller and cheaper.
CPU-equipped lenses lacking built-in focus motors can be used in manual focus mode, and type G or D lens types will also support full 3D color matrix metering for more accurate exposures, particularly when flash is being used. You can tell CPU-equipped lenses by the set of five electrical contacts arrayed on the side of the lens flange. Focus and Exposure. The Nikon D shares the same Multi-CAM phase-detection autofocus sensor module that's previously appeared in the D and D, among others.
The Multi-CAM module offers 11 focusing points, of which the center point is a cross-type sensor. While the AF sensor itself is unchanged, Nikon has updated the viewfinder point display. In the D, the approximate AF point locations were indicated with dense black marks in the viewfinder. For the Nikon D, these have been replaced with much fainter markings, illuminated by single LEDs. One further change to the viewfinder display, perhaps related to this change, is that the Nikon D lacks the on-demand grid display function from the D Operation of the Auto exposure mode has been changed, however, as the D will now automatically pick a scene type from among the six scene modes when first entering Auto mode.
As with the D and D before it, the shutter mechanism included in the Nikon D is rated at a lifetime of , cycles. The flash itself is the same as that used in the D, and is fairly powerful, with a guide number of 12 meters or 39 feet at ISO in auto mode, extending slightly to 13 meters 43 feet in Manual mode. Dust control. The Nikon D includes the company's three-pronged strategy for controlling dust on the image sensor.
Nikon's Dust Reduction System uses vibration to shake dust off the low-pass filter, whereupon the mirror chamber design causes an air flow with each shutter release that carries dust to a capture receptacle. The final part of the approach requires the optional Nikon Capture NX 2 software, and involves creation of a reference photo that is used to identify the location of stubborn dust specks.
These can then be replaced by automatically interpolating data from areas of the image adjacent to the dust. Perhaps the main area in which Nikon's earlier D lags behind its current-day competition is in the absence of either Live View or movie capture capabilities.
Both functions still prove somewhat divisive, with some photographers finding them an unnecessary, little-used distraction, and others greatly enjoying the ability to frame images in the same manner as they would with a compact camera, or to shoot movies with the same versatility in terms of both interchangeable lenses and shallow depth of field effect that SLR photography makes possible in still imaging, something most dedicated camcorders can't offer.
The absence of video is probably the lesser evil, as arguably most video-capable DSLRs haven't proven ready for consumers, thanks to the absence of continuous autofocus capabilities. However, there's little question that with a generation of photographers now strongly accustomed to framing images on their LCD, Live View is simply a must-have feature even in a consumer digital SLR these days. The Nikon D corrects both oversights, with numerous changes that combine to provide a genuinely useful Live View function, and a Movie mode with impressive High-Definition capabilities, although still with one important drawback versus shooting with a dedicated camcorder.
As previously noted, the Nikon D now includes a dedicated switch on its rear panel that allows Live View shooting to be initiated without entering the camera's menu system. Autofocus starts immediately when the mode is entered, and continues until the shutter button is half-pressed. At this point, focus is locked until the shutter button is released, or half-pressed a second time to resume continuous AF operation.
Perhaps even more unusually, full-time autofocus is also available during video capture, albeit at the expense of clearly audible focusing noise being picked up on the movie's audio track. This is perhaps less of an issue for consumer videographers, who may be willing to put up with the noise in return for the ability to focus during movie capture. The ability to pull focus manually isn't an easy art to learn, after all.
It's certainly something to be aware of, though, and with no external microphone connectivity, there's no way to isolate the AF noise, short of recording sound on a separate device and replacing the audio track in post-processing. There's a slight catch, in that for Full HD, the Nikon D can only record at a rate of 24 frames per second Whether the reduced frame rate at full resolution will prove a drawback will depend on your intended use for the video.
The only other resolution available is x at 24 fps Each video clip has a maximum length of ten minutes, and the Nikon D does provide for basic in-camera editing of videos, with the ability to trim unwanted content from both the start and end of each clip. The Nikon D's internal microphone is monaural, and with no external microphone connectivity, there's again no way to capture stereo audio without swapping the audio for that from an external device in post processing.
Movie capture is started and stopped with a new dedicated Movie Shutter button, located in the center of the Live View switch on the rear panel.
With the addition of movie recording to the D, Nikon has dropped the stop-motion movie function that was found in the D Guide mode. The Nikon D further builds on the user friendly Guide mode from the D, which is accessed from the Guide Mode position on the Mode dial. When in the Shoot menu, the photographer is asked a number of questions, and the Nikon D then offers guidance on what to set -- and importantly, why each suggestion is being made. A helpful change from the D's Guide mode is the addition of reference photos that demonstrate the effect of settings being applied.
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